Iain Fenlon
Title
Professor
Institution
University of Cambridge (King's College)
Current Research
Soundscape of Early Modern Venice
Recent Publications
‘Music and the Academies of Venice and the Veneto’, in Katelijne Schiltz (ed.), A Companion to Music in Sixteenth-Century Venice (Leiden and Boston, 2018), 99-121.
.‘Music, Ritual and Festival: The Ceremonial Life of Venice’, in Katelijne Schiltz (ed.), A Companion to Music in Sixteenth-Century Venice (Leiden and Boston, 2018), 125-148.
‘Urban Soundscapes’, in Iain Fenlon and Richard Wistreich (eds.) The Cambridge History of Sixteenth-Century Music (Cambridge, 2019), 209- 259.
‘Traditions de fetes et impératif politique: Henri III à Venise, 1574’, in Oriana Beaufils and Luisa Capodieci (eds.) La cour en fete dans l’Europe des Valois (Tours, 2020), 309-328.
.‘Music, Ritual and Festival: The Ceremonial Life of Venice’, in Katelijne Schiltz (ed.), A Companion to Music in Sixteenth-Century Venice (Leiden and Boston, 2018), 125-148.
‘Urban Soundscapes’, in Iain Fenlon and Richard Wistreich (eds.) The Cambridge History of Sixteenth-Century Music (Cambridge, 2019), 209- 259.
‘Traditions de fetes et impératif politique: Henri III à Venise, 1574’, in Oriana Beaufils and Luisa Capodieci (eds.) La cour en fete dans l’Europe des Valois (Tours, 2020), 309-328.
Forthcoming Publications
'Enslaving the Turk in Post-Lepanto Venice', in Marie-Claude Canova Green and Iain Fenlon (eds.) Spectacular Orientalism in Early Modern Europe (1529 - 1683).