Sabine Engel
Title
Dr.
Current Research
Leandro Bassano
Recent Publications
"'Christus und die Ehebrecherin' in Zeiten der Konfessionalisierung: Von Daniel Hopfer und der Schlosskapellenkanzel in Torgau bis zu Tintorettos 'Adultera Chigi'," in: Luther – zeitgenössisch, historisch, kontrovers, ed. Richard Faber, Uwe Puschner, (Frankfurt a.M.: Lang Verlag 2017), 673-697
"Who is to blame? Representing adultery in early modern books: Alciato, Aneau, Brant, Ripa," in: Images of sex and desire in Renaissance thought and modern historiography, ed. Berthold Hub, Angeliki Pollali, (New York: Routledge, Taylor & Francis Group 2018), 82 -97
"Typical Venetian? Andrea Schiavone's 'Christ and the Adulteress' on the touch-stone," in: Andrea Schiavone. Pittura, incisione, disegno nella Venezia del Cinquecento. Atti del convegno internazionale di studi, Venezia, Fondazione Giorgio Cini – Biblioteca Nazionale Marciana, 31.3.-2.4.2016, ed. Chiara Callegari, Vincenzo Mancini, (Venezia: Lineadacqua 2018), 257-269
"Titian’s 'Portrait of Laura Dianti'. Appropriation and Transformation between Orient and Occident," Studi Tizianeschi 10 (2019), 8-33
"Veil and Signature: Giambono’s Madonna Barberini," in: Marian Devotion in the Late Middle Ages. Image and Performance, ed. Andrea-Bianka Znorovszky, Gerhard Jaritz, (London/New York: Routledge, Taylor & Francis Group 2022), 87-105
"Who is to blame? Representing adultery in early modern books: Alciato, Aneau, Brant, Ripa," in: Images of sex and desire in Renaissance thought and modern historiography, ed. Berthold Hub, Angeliki Pollali, (New York: Routledge, Taylor & Francis Group 2018), 82 -97
"Typical Venetian? Andrea Schiavone's 'Christ and the Adulteress' on the touch-stone," in: Andrea Schiavone. Pittura, incisione, disegno nella Venezia del Cinquecento. Atti del convegno internazionale di studi, Venezia, Fondazione Giorgio Cini – Biblioteca Nazionale Marciana, 31.3.-2.4.2016, ed. Chiara Callegari, Vincenzo Mancini, (Venezia: Lineadacqua 2018), 257-269
"Titian’s 'Portrait of Laura Dianti'. Appropriation and Transformation between Orient and Occident," Studi Tizianeschi 10 (2019), 8-33
"Veil and Signature: Giambono’s Madonna Barberini," in: Marian Devotion in the Late Middle Ages. Image and Performance, ed. Andrea-Bianka Znorovszky, Gerhard Jaritz, (London/New York: Routledge, Taylor & Francis Group 2022), 87-105